You know the poster: the one that was really amazingly-inspiring for a few minutes in 2000 until it was killed by hundreds of parodies. I’ll admit it. I loved it when I first saw it. Still do.
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When I was an undergrad student, I studied film. One valuable lesson I picked up in school was how to prepare for a presentation. My instructors taught us to run a projector correctly; or, they let us know in no uncertain terms, you were wasting everyone’s time. Here’s what was expected of you: arrive early, clean your film, clean the projector, check the bulb, set the focus, set the sound levels, and cue up your reel. Do anything wrong and you would be on the receiving end of glower, ridicule, and not a word of critique about the film you were presenting.
A short dozen blocks north of Happy Cog’s New York studio, two famous stone lions sculpted by Edward Clark Potter guard the entrance to The New York Public Library at 42nd Street. The lions were originally named for the library’s private backers, the Astor and Lenox families. But in the 1930s, New York Mayor Fiorello La Guardia renamed the two lions “Patience” and “Fortitude,” because those were the qualities New Yorkers would need to survive the Great Depression. This was back in the days when elected officials gave a damn about the people, and when they could use a three-syllable word without fear that citizens would brand them as over-educated or French. But I digress.